Eidolon by Bill James with David Grenon, directed by Ruth Madoc-Jones (Public Energy)
'...director Ruth Madoc-Jones and James, as choreographer and performer, created, what can only be called an experience.' Simon Semchuk, Arthur, The Trent Independent Press
Beauty dissolves in a brief hour, directed by Ruth Madoc-Jones (Queen of Puddings)
'...Ruth Madoc-Jones's staging also came into its own in this piece, using elements of Michael Gianfrancesco's set and costume designs to visualize the themes and imagery of the poems.' The Globe and Mail.
'… working in the opera as well as the dance worlds... the director likes the unusual: "This kind of work stretches me as an artist, and I'm grateful for the chance to use my creative muscles...on pieces that require an expanded size and scale... as an artist, that's what I need and want." - From preview interview with Jon Kaplan, Now magazine
Stitch: an a capella opera, by J. Palmer & A. Chatterton, directed by Ruth Madoc-Jones ( Urban Vessel/Theatre Centre)
'A rogue brace of creative spirits cuts through the couture and sweeps us straight into a sewing sweatshop in Stitch. Billed as "an a cappella opera for three women and three sewing machines," it crosses so many genres as to be in a category of its own.' - John Teraude, The Toronto Star
'The simple yet defined choreography by Marie-Josee Chartier, and the direction of Ruth Madoc-Jones, accompanied the variability and fluidity of the composition itself. There could be no better match then these two artistic visions...an unexpected, profoundly powerful piece of fine art at its best.' -Adelina Fabiano, Mooney on Theatre
The Drawer Boy, by Micheal Healey, directed by Ruth Madoc-Jones (Theatre Passe Muraille)
'Randy Hughson and John Jarvis are brilliant under Ruth Madoc-Jones’ direction...If you haven’t experienced the play, it is a must see.' - Paula Citron, New CLASSICAL 96.3 FM
SPIN by Evalyn Parry, directed by Ruth Madoc-Jones (Outspoke/Buddies in Bad Times Theatre)
'...the magnetic artist and her winning production team invest the work with such intelligence and playfulness, it's hard not to be charmed.' - Glenn Sumi, Now magazine
Shudder choreographed by Susanna Hood, directed by Ruth Madoc-Jones (Humsoundart/Buddies in Bad Times Theatre)
'It is a brave show, raw and exposed, and stripped to the flesh.' - Paula Citron, the Globe and Mail,
'...director Ruth Madoc-Jones and James, as choreographer and performer, created, what can only be called an experience.' Simon Semchuk, Arthur, The Trent Independent Press
Beauty dissolves in a brief hour, directed by Ruth Madoc-Jones (Queen of Puddings)
'...Ruth Madoc-Jones's staging also came into its own in this piece, using elements of Michael Gianfrancesco's set and costume designs to visualize the themes and imagery of the poems.' The Globe and Mail.
'… working in the opera as well as the dance worlds... the director likes the unusual: "This kind of work stretches me as an artist, and I'm grateful for the chance to use my creative muscles...on pieces that require an expanded size and scale... as an artist, that's what I need and want." - From preview interview with Jon Kaplan, Now magazine
Stitch: an a capella opera, by J. Palmer & A. Chatterton, directed by Ruth Madoc-Jones ( Urban Vessel/Theatre Centre)
'A rogue brace of creative spirits cuts through the couture and sweeps us straight into a sewing sweatshop in Stitch. Billed as "an a cappella opera for three women and three sewing machines," it crosses so many genres as to be in a category of its own.' - John Teraude, The Toronto Star
'The simple yet defined choreography by Marie-Josee Chartier, and the direction of Ruth Madoc-Jones, accompanied the variability and fluidity of the composition itself. There could be no better match then these two artistic visions...an unexpected, profoundly powerful piece of fine art at its best.' -Adelina Fabiano, Mooney on Theatre
The Drawer Boy, by Micheal Healey, directed by Ruth Madoc-Jones (Theatre Passe Muraille)
'Randy Hughson and John Jarvis are brilliant under Ruth Madoc-Jones’ direction...If you haven’t experienced the play, it is a must see.' - Paula Citron, New CLASSICAL 96.3 FM
SPIN by Evalyn Parry, directed by Ruth Madoc-Jones (Outspoke/Buddies in Bad Times Theatre)
'...the magnetic artist and her winning production team invest the work with such intelligence and playfulness, it's hard not to be charmed.' - Glenn Sumi, Now magazine
Shudder choreographed by Susanna Hood, directed by Ruth Madoc-Jones (Humsoundart/Buddies in Bad Times Theatre)
'It is a brave show, raw and exposed, and stripped to the flesh.' - Paula Citron, the Globe and Mail,